Also includes Prufrock and Other Observations, Poems (1920), and The Sacred Wood Introduction by Mary Karr First published in 1922, “The Waste Land,” T. S. Eliot’s masterpiece, is not only one of the key works of modernism but also one of the greatest poetic achievements of the twentieth century. A richly allusive pilgrimage of spiritual and psychological torment and redemption, Eliot’s poem exerted a revolutionary influence on his contemporaries, summoning forth a potent new poetic language. As Kenneth Rexroth wrote, Eliot “articulated the mind of an epoch in words that seemed its most natural expression.” As commanding as his verse, Eliot’s criticism also transformed twentieth-century letters, and this Modern Library edition includes a selection of Eliot’s most important essays.
About the Author
Christopher Ricks s publications on Eliot include T. S. Eliot and Prejudice (1988), Inventions of the March Hare: Poems 1909-1917 (1996), and Decisions and Revisions in T. S. Eliot (the Panizzi Lectures, 2002), together with True Friendship: Geoffrey Hill, Anthony Hecht and Robert Lowell Under the Sign of Eliot and Pound (2007).
Jim McCue is the author of Edmund Burke and Our Present Discontents (1997) and editor of the Penguin Selected Poems of Arthur Hugh Clough (1991). For fifteen years he worked for The Times, where he wrote the Bibliomane column. His imprint, the Foundling Press, began with the first separate publication of T. S. Eliot s Eeldrop and Appleplex, and has printed for the first time writings by Alexander Pope, Ben Jonson, Henry James and A. E. Housman.
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