Two 19th century stage illusionists, the aristocratic Rupert Angier and the working-class Alfred Borden, engage in a bitter and deadly feud; the effects are still being felt by their respective families a hundred years later. Working in the gaslight-and-velvet world of Victorian music halls, they prowl edgily in the background of each other's shadowy life, driven to the extremes by a deadly combination of obsessive secrecy and insatiable curiosity. At the heart of the row is an amazing illusion they both perform during their stage acts. The secret of the magic is simple, and the reader is in on it almost from the start, but to the antagonists the real mystery lies deeper. Both have something more to hide than the mere workings of a trick.
About the Author
CHRISTOPHER JAMES PRIEST is a critically acclaimed novelist and comic book writer. Priest is the first African-American writer and editor to work in the comic book industry. His groundbreaking Black Panther series was lauded by Entertainment Weekly and The Village Voice. Static Shock, which Priest co-created with Milestone Media, Inc., has become the first nationally syndicated African American super-hero animated series, and the first act of 2005 s Batman Begins was largely based upon Priest s Batman comic book work. Priest has also written and recorded numerous songs and served as producer and sideman for various bands and choirs, and has developed numerous properties for Hollywood including projects with former BET President Reginald Hudlin (producer of D Jango Unchained), Hamm && Kitchens, Inc. (Tim Burton Batman films), Edward R. Pressman Productions Inc. and Eddie Murphy Productions. He currently serves as a Baptist pastor in Colorado Springs, where he founded PraiseNet Electronic Media in 2001. Priest is a 4-time American Advertising Federation Addy® award winner for graphic and web design. His most current comics work was the hit series Quantum && Woody from Valiant Entertainment, and a trio of Green Lantern novels from iBooks/Simon && Schuster. Please do not call him "Chris."
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