Sarah Bradford's Diana is a complex and explosive study of the greatest icon of the twentieth century. Glamour. Duty. Tragedy: The Woman Behind the Princess. After more than a decade interviewing those closest to the Princess and her select circle, Sarah Bradford exposes the real Diana: the blighted childhood, the old-fashioned courtship which saw her capture the Prince of Wales, the damage caused by the spectre of Camilla Parker Bowles, through to the collapse of the royal marriage and Diana's final and complicated year as single woman. Diana paints an honest portrait of a woman riddled with contradictions and whose vulnerability and unique empathy with the suffering made her one of the most extraordinary figures of the modern age. 'Bradford has a real grasp of history and the ability to make it spark into new life' Sunday Telegraph 'Bradford's forte, ever since she was a history-mad girl, is thinking herself into other lives' Daily Telegraph Sarah Bradford is a historian and biographer. Her books include Cesare Borgia (1976), Disraeli (1982), winner of the New York Times Book of the Year, Princess Grace (1984), Sacherevell Sitwell (1993), Elizabeth: A Biography of Her Majesty the Queen (1996), America's Queen: The Life of Jacqueline Kennedy Onassis (2000), Lucrezia Borgia (2005) and Diana (2007). She frequently appears on television as an authority on her biographical subjects and as a commentator on notable royal events. She is currently working on a full scale biography of Queen Victoria. She lives in London.
About the Author
Educated at St. Mary’s Convent, Shaftesbury Dorset, where she won a State Scholarship and at Lady Margaret Hall, Oxford, where she won a College Scholarship in History, Sarah Bradford is an historian and biographer who has travelled extensively, living in the West Indies, Portugal and Italy. She speaks four languages which have been invaluable in her research for her various books, particularly The Englishman’s Wine, the Story of Port (the first book on the subject written by a woman), Portugal and Madeira. She worked in the Manuscript Department of Christie’s London, travelling for the Department and valuing manuscripts from the fifteenth to twentieth centuries, an experience which enabled her to write Cesare Borgia (used by the BBC as the source of their series ‘The Borgias’, for which she wrote the novelisation of the scripts) and, most recently, Lucrezia Borgia
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