Emma Bovary is beautiful and bored, trapped in her marriage to a mediocre doctor and stifled by the banality of provincial life. An ardent reader of sentimental novels, she longs for passion and seeks escape in fantasies of high romance, in voracious spending and, eventually, in adultery. But even her affairs bring her disappointment and devastating consequences. Flaubert's erotically charged and psychologically acute portrayal of Emma Bovary caused a moral outcry on its publication in 1857. It was deemed so lifelike that many women claimed they were the model for his heroine; but Flaubert insisted: "Madame Bovary, c'est moi." One of the greatest novels of the 19th century, Flaubert’s torrid debut lives on in Geoffrey Wall’s brilliant translation. This edition features an introduction by Wall, and a preface on Emma Bovary's femininity and modernity by novelist Michèle Roberts. Part of Penguin’s beautiful hardcover Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality, tactile cloth with foil stamped into the design.
About the Author
Gustave Flaubert (1821-80) is considered to be one of the most important French novelists of the nineteenth century. He s most well known for his novel Madame Bovary, and for his desire to write "a book about nothing," a novel in which all external elements, especially the presence of the author, have been eliminated, leaving nothing but style itself. Often considered a member of the naturalist school, Flaubert despised categorizations of this sort, and in novels like Bouvard and Pécuchet demonstrates the inaptness of this label. In addition to these two novels, he is also the author of A Sentimental Education, Salambo, Three Tales, and The Temptation of Saint Anthony.
Margaret Cohen is Professor in the Department of French and Italian at Stanford University. Her publications include The Sentimental Education of the Novel and Profane Illumination: Walter Benjamin and the Paris of Surrealist Revolution, as well as the co-edited collections Spectacles of Realism-Body, Gender, Genre and The Literary Channel: The Inter-national Inventions of the Novel. She has also translated and edited Sophie Cottin’s Claire d’Albe (1799).
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