Cynthia, an 11-year-old American, isn't entirely happy with her life, comfortable though it is. Still, even she knows that she shouldn't talk to strangers. So when her mysterious neighbour Miss Hatfield asked her in for a chat and a drink, Cynthia wasn't entirely sure why she said yes. It was a decision that was to change everything. For Miss Hatfield is immortal. And now, thanks to a drop of water from the Fountain of Youth, Cynthia is as well. But this gift might be more of a curse, and it comes with a price. Cynthia is beginning to lose her personality, to take on the aspects of her neighbour. She is becoming the next Miss Hatfield. But before the process goes too far, Cynthia must travel back in time to turn-of-the-century New York and steal a painting, a picture which might provide a clue to the whereabouts of the source of immortality. A clue which must remain hidden from the world. In order to retrieve the painting, Cynthia must infiltrate a wealthy household, learn more about the head of the family, and find an opportunity to escape. Before her journey is through, she will also have - rather reluctantly - fallen in love. But how can she stay with the boy she cares for, when she must return to her own time before her time-travelling has a fatal effect on her body? And would she rather stay and die in love, or leave and live alone? And who is the mysterious stranger who shadows her from place to place? A hunter for the secret of immortality - or someone who has already found it?
About the Author
Anna Caltabiano is a child of the transnational cyber punk era. She was born in British colonial Hong Kong and educated in Mandarin Chinese schools before moving to Palo Alto, California; the mecca of futurism. She lives down the street from Facebook in the town where its founders reside, along with the pioneers of Google and Apple.Caltabiano's high school classmates are themselves an eclectic mix; the lost offspring of ultra-wealthy Silicon Valley magnates, aspirational internet entrepreneurs and Stanford philosophy professors. Her writing reflects her concerns for her own generation as it seeks out salvation, meaning, and companionship in online communities, with pop culture as its shared language.Having grown up in privileged suburban America, Caltabiano has always felt bewildered by the intense personal pain of which her teenage peers would complain. To her, such anguish seemed like a betrayal of their good fortune. What exactly was driving these economically advantaged kids, lucky enough to be able to devote themselves entirely to self-fulfillment, to sabotage their lives? Anna Caltabiano's recent literary focus has been applied to the increasingly common practice of self-mutilation, which she sees as symbolizing a more universal urge among youth toward self destruction. All That Is Red is her striking effort to explore the ways in which the pressures and the banalities of modern adolescence combine, leading towards dangerous outbursts, designed to stimulate a physical response where an emotional one seems insufficient. All That Is Red is Anna Caltabiano's portrayal of two young souls searching for the intangible piece that is missing from their lives. Their responses to the challenging predicaments in which they find themselves are typically, youthfully untempered, but no less vital in their contemporary relevance.
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