Jean Copeland, an emotionally withdrawn wife and mother of two, has taken a secret lover—only to lose him in a moment of tragedy that leaves her reeling. Her husband, Gordon, is oblivious, distracted by the fear that he's losing his most prized asset: his memory. Daughter Priscilla (a pill since birth—don't get us started) is talking about clothes, or TV, or whatever, and hatching a plan to extend her maddening reach to all of America. Nine-year-old Otis is torn between his two greatest loves: crossword puzzles and his new girlfriend. At the back of the house, grandfather Theodore is in the early throes of Parkinson's disease. (And he's fine with it—as long as they continue to let him walk the damn dog alone.) And Vivian, the family's ninety-eight-year-old matriarch, is a razor-sharp grande dame who suffers no fools...and still harbors secret dreams of her own. With empathy, humor, and an unforgettable voice, Elizabeth Crane reveals what one family finds when everyone goes looking for meaning in all the wrong places.
About the Author
Elizabeth Crane is the author of two novels We Only Know So Much (now a major motion picture) and The History of Great Things (Harper Perennial) and four collections of short stories: When the Messenger Is Hot and All This Heavenly Glory (Little, Brown) and You Must Be This Happy to Enter (Akashic Books), and Turf (Counterpoint). Her work has been adapted for the stage by Steppenwolf Theater and featured on NPR's Selected Shorts. She is a winner of the Chicago Public Library 21st Century Award.
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