The first European artist to cross the equator, Camoes's narrative reflects the novelty and fascination of that original encounter with Africa, India and the Far East. The poem's twin symbols are the Cross and the Astrolabe, and its celebration of a turning point in mankind's knowledge of the world unites the old map of the heavens with the newly discovered terrain on earth. Yet it speaks powerfully, too, of the precariousness of power, and of the rise and decline of nationhood, threatened not only from without by enemies, but from within by loss of integrity and vision. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
About the Author
Luís Vaz de Camões (Portuguese pronunciation: [luˈiʃ vaʃ dɨ kaˈmõȷ̃ʃ]; sometimes rendered in English as Camoens; c. 1524 – June 10, 1580) is considered Portugal's, and the Portuguese language's, greatest poet. His mastery of verse has been compared to that of Shakespeare, Vondel, Homer, Virgil, and Dante. He wrote a considerable amount of lyrical poetry (in Portuguese and in Spanish) and drama but is best remembered for his epic work Os Lusíadas (The Lusiads). His recollection of poetry The Parnasum of Luís de Camões was lost in his lifetime.Source:http://en.wikipedia.org/wiki/Lu%C3%AD...
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