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Under Western Eyes
[Paperback - 2007]
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Category: Fiction
Sub-category: Literary Fiction
Additional Category: Classics
Publisher: Penguin Classics | ISBN: 9780141441948 | Pages: 400
Shipping Weight: .400 | Dimensions: 0

'Whenever two Russians come together, the shadow of autocracy is with them...haunting the secret of their silences.' First published in 1911, Under Western Eyes traces the experiences of Razumov, a young Russian student of philosophy who is uninvolved in politics or protest. Against his will he finds himself caught up in the aftermath of a terrorist bombing directed against the Tsarist authorities. He is pulled in different directions - by his conscience and his ambitions, by powerful opposed political forces, but most of all by personal emotions he is unable to suppress. Set in St Petersburg and Geneva, the novel is in part a critical response to Dostoevsky's Crime and Punishment but it is also a startlingly modern book. Viewed through the 'Western eyes' of Conrad's English narrator, Razumov's story forces the reader to confront the same moral issues: the defensibility of terrorist resistance to tyranny, the loss of individual privacy in a surveillance society, and the demands thrown up by the interplay of power and knowledge. This new edition is based on the first English edition text, and has a new chronology and bibliography.

Paul B. Armstrong is Professor of English and former Dean of the College at Brown University. He was previously a professor and a dean at the University of Oregon and the State University of New York at Stony Brook. He has also taught at the University of Copenhagen, Georgia Institute of Technology, the Free University of Berlin, the University of Virginia, and the Institute for Doctoral Studies in the Visual Arts. He is the author of How Literature Plays with the Brain: The Neuroscience of Reading and Art; Play and the Politics of Reading: The Social Uses of Modernist Form; Conflicting Readings: Variety and Validity in Interpretation; The Challenge of Bewilderment: Understanding and Representation in James, Conrad, and Ford; and The Phenomenology of Henry James. He is editor of the Norton Critical Edition of E. M. Forster’s Howards End and of the fourth and fifth Norton Critical Editions of Heart of Darkness.

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