Sinister Graves - Readings

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"Marcie Rendon is writing an addictive and authentically Native crime series propelled by the irresistible Cash Blackbear—a warm, sad, sharp, funny and intuitive young Ojibwe woman. I want a shelf of Cash Blackbear novels! To my delight I have a feeling that Rendon is only getting started."
—Louise Erdrich, Pulitzer Prize-winning author of The Night Watchman

Set in 1970s Minnesota on the White Earth Reservation, Pinckley Prize–winner Marcie R. Rendon’s gripping new mystery follows Cash Blackbear, a young Ojibwe woman, as she attempts to discover the truth about the disappearances of Native girls and their newborns.

A snowmelt has sent floodwaters down to the fields of the Red River Valley, dragging the body of an unidentified Native woman into the town of Ada. The only evidence the medical examiner recovers is a torn piece of paper inside her bra: a hymn written in English and Ojibwe.

Cash Blackbear, a 19-year-old, tough-as-nails Ojibwe woman, sometimes uses her special abilities to help Sheriff Wheaton, her guardian, with his investigations. When Cash sees the hymn, she knows her search for justice for this anonymous victim will lead her somewhere she hasn’t been in over a decade: the White Earth Reservation, a place she once called home.

When Cash happens upon two small graves in the yard of a rural, “speak-in-tongues kinda church,” she is pulled into the lives of the pastor and his wife while yet another Native woman turns up dead and her newborn is nowhere to be found.

About the Author

Marcie R. Rendon, citizen of the White Earth Nation, is one of O: The Oprah Magazine’s 31 Native American Authors to Read Right Now and a McKnight Distinguished Artist Award winner. Her debut novel, Murder on the Red River, received the Pinckley Prize for Debut Novel Award and was a finalist for the Western Writers of America Spur Award, Contemporary Novel category, and her second novel, Girl Gone Missing, was nominated for the G. P. Putnam’s Sons Sue Grafton Memorial Award. Her script, Say Their Names, will be produced by Out of Hand Theater in Atlanta, Georgia. And her script Sweet Revenge had a staged reading at the Playwrights’ Center in Minneapolis, Minnesota. The creative mind of Raving Native Theater, she curated Twin Cities Public Television’s Art Is . . . CreativeNativeResilience. Rendon received the Loft Literary Center’s Spoken Word Immersion Fellowship with co-creator Diego Vazquez for their work with incarcerated women.

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