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Notes On the Cinematograph
[Paperback - 2016]
robert bresson
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Sub-category: Film
Publisher: Nyrb Classics | ISBN: 9781681370248 | Pages: 112
Shipping Weight: .136 | Dimensions: 5 x .34 x 7.97 inches

Description

The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors—models, as he called them—and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped, Pickpocket, Diary of a Country Priest, and Lancelot of the Lake. From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake.

Notes on the Cinematograph distills the essence of Bresson’s theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for ­students of the cinema, will also prove an inspiration, much like Rilke’s Letters to a Young Poet, for anyone who responds to the claims of the imagination at its most searching and rigorous.

About the Author

Robert Bresson (1901–1999) directed over a dozen films over his lifetime, many of them regarded as masterpieces, including Diary of a Country Priest, A Man Escaped, Mouchette, Au hasard Balthazar, Pickpocket, Lancelot of the Lake, and L’Argent. Throughout his career Bresson eschewed the use of theatrical techniques and employed nonprofessional actors, whom he referred to as models. Raised in the Catholic faith, he worked on and off throughout his career on an adaptation of the book of Genesis, which never saw fruition. New York Review Books also publishes Bresson’s celebrated Notes on the Cinematograph.

Anna Moschovakis is a translator and editor and the author of several books, including, most recently, the poetry collection They and We Will Get into Trouble For This and the novels Eleanor: Or, the Rejection of the Possibility of Love and Participation.

Mylène Bresson is Robert Bresson’s widow and the manager of his estate.

Pascal Mérigeau is a journalist and film critic who has published numerous books, among them biographies of Joseph L. Mankiewicz, Maurice Pialat, and Jean Renoir.

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