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Uncle Cleans Up
[Hardback - 2008]
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Category: Children
Additional Category: Children Humorous Fiction
Publisher: Nyr Children's Collection | ISBN: 9781590172766 | Pages: 184
Shipping Weight: .369 | Dimensions: 5.7 x .74 x 8.8 inches

It is a time of rejoicing at Homeward, the Labyrinthine castle-city that is as magical as Oz and as full of wonders as Willy Wonka’s chocolate factory. Uncle, the wise, kind, generous, and fabulously rich elephant who rules over Homeward, has joined with his many friends to celebrate their triumph over the ruffians in neighboring Badfort.

Still, there’s plenty of cleaning up to do in Homeward: the waterworks are tainted with vinegar, housing is scarce, and the Dwarftown Railway is terribly overcrowded— meanwhile the Badfort crowd has devised its most diabolical plan yet. Uncle will need all the help he can get from his faithful assistant Old Monkey and from Goodman the literate cat—and possibly a wizard’s spell—to get through this mess.


Uncle Cleans Up displays the same subversive humor and ingenious plotting as its predecessor, Uncle, and serves as a no less delightful introduction to J.P. Martin’s fantastic world; Quentin Blake’s quirky drawings accompany a tale that has been charming children and adults alike for nearly fifty years.

J.P. Martin (1879-1966) was born in Yorkshire into a family of Methodist ministers. He took up the family vocation, serving when young as a missionary to a community of South African diamond miners and then, during the First World War, as an Army chaplain in Palestine and Egypt, before returning to minister to parishes throughout the north of England. He died at eighty-six from a flu caught while bringing pots of honey to his parishioners in cold weather. Martin began telling Uncle stories to entertain his children, who later asked him to write them down so that they could read them to their own children; the stories were finally published as a book in 1964, when Martin was eighty-four. The jacket to the first edition of Uncle notes that “the inspiration for these stories seems to come from the industrial landscape that [Martin] knew as a child….He still likes to take his family and friends on walks through industrial scenes. He also enjoys painting the wild and beautiful landscape where he lives. It is not enough to say he loves children; he is still continually visited by them.”

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