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All That You've Seen Here Is God:New Versions Of Four Greek Tragedies Sophocles' ajax, Philoctetes, Women Of Trachis; aeschylus' Prometheus Bound
[Paperback - 2015]
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Category: Literature
Sub-category: Drama
Additional Category: Literary Collections
Publisher: Vintage | ISBN: 9780307949738 | Pages: 480
Shipping Weight: .397 | Dimensions: 5.24 x 1.05 x 7.96 inches

These contemporary translations of four Greek tragedies speak across time and connect readers and audiences with universal themes of war, trauma, suffering, and betrayal. Under the direction of Bryan Doerries, they have been performed for tens of thousands of combat veterans, as well as prison and medical personnel around the world. Striking for their immediacy and emotional impact, Doerries brings to life these ancient plays, like no other translations have before.

Sophocles (497/496 BC-406/405 BC), (Greek:Σοφοκλής; German:Sophokles, Russian:Софокл, French:Sophocle) was an ancient Greek tragedian, known as one of three from whom at least one play has survived in full. His first plays were written later than, or contemporary with, those ofAeschylus; and earlier than, or contemporary with, those ofEuripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: Ajax, Antigone, Women of Trachis, Oedipus Rex, Electra, Philoctetes, and Oedipus at Colonus. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four.The most famous tragedies of Sophocles feature Oedipus and Antigone: they are generally known as the Theban plays, though each was part of a different tetralogy (the other members of which are now lost). Sophocles influenced the development of drama, most importantly by adding a third actor (attributed to Sophocles byAristotle; to Aeschylus byThemistius), thereby reducing the importance of the chorus in the presentation of the plot. He also developed his characters to a greater extent than earlier playwrights.

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