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Description
Kevin Young follows his acclaimed exploration of the blues in Jelly Roll with another playful riff on a vital art form, giving us a film noir in verse. Black Maria–the title is a slang term for a police van as well as a hearse–is a twisting tale of suspicion, passion, mystery, and the city. Young channels the world of detective movies, picking up its lingo and dark glamour in five “reels” of poetry–the adventures of a “soft-boiled” private eye, known as A.K.A. Jones, and an ingenue turned femme fatale, Delilah Redbone, who’s come to town from down south (“Mama bent till dark / tending rows to send / Me to school . . . I wanted / To head on & hitch . . . strike it / Big”). We follow Jones and Delilah through a maze of aliases and ambushes, sex and suspicions, fast talk and hard luck, in Shadowtown where noir characters abound. The Killer, The Gunsel, The Hack, The Director, The Champ, and The Snitch are among the local luminaries and beautiful losers who mingle with Jones and his elusive lady as they stalk one another through the scenes of the poet’s dazzling “treatment.” Charming, funky, bleak, humorous, picaresque, and full of pathos, Black Maria is brimming with the originality and stark lyricism we have come to expect from this remarkable poet.
When we met her first request: Got a light? * I only had dark so gave her that instead. * Ashtray full of butts & maybes. * The sound of her heels down the hall to me means reveille.
(from “Stills”)
Click on the poem titles below to hear Kevin Young read from Black Maria.
About the Author
Kevin Young is an American poet heavily influenced by the poet Langston Hughes and the art of Jean-Michel Basquiat. Young graduated from Harvard College in 1992, was a Stegner Fellow at Stanford University (1992-1994), and received his MFA from Brown University. While in Boston and Providence, he was part of the African-American poetry group, The Dark Room Collective.Born in Lincoln, Nebraska, Young is the author ofMost Way Home,To Repel Ghosts,Jelly Roll,Black Maria,For The Confederate Dead,Dear Darkness, and editor ofGiant Steps: The New Generation of African American Writers;Blues Poems; Jazz PoemsandJohn Berryman's Selected Poems.His Black Cat Blues, originally published inThe Virginia Quarterly Review, was included inThe Best American Poetry 2005. Young's poetry has appeared inThe New Yorker,Poetry Magazine,The Paris Review,Ploughshares, and other literary magazines. In 2007, he served as guest editor for an issue ofPloughshares. He has written on art and artists for museums in Los Angeles and Minneapolis.His 2003 book of poemsJelly Rollwas a finalist for the National Book Award.After stints at the University of Georgia and Indiana University, Young now teaches writing at Emory University, where he is the Atticus Haygood Professor of English and Creative Writing, as well as the curator of the Raymond Danowski Poetry Library, a large collection of first and rare editions of poetry in English.
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