Description
Mercedes Lackey's magical Elemental Masters series recasts familiar fairy tales in a richly-imagined alternate Victorian world
Katie Langford had been part of her family’s acrobatic troupe working in a small traveling circus—until a terrible fire killed her parents. Years later, still with the circus but stuck in an abusive marriage, Katie fled from her increasingly dangerous husband to Brighton. As a seaside resort town, Brighton’s music halls meant no circus needed to visit. It was as safe a place as she could find.
Lionel Hawkins was a professional magician who had a permanent job at the Palace Music Hall in Brighton. His shows never failed to enchant the ever-changing crowds, for his magic was more than just tricks. Lionel was an Air Magician, and he wasn’t the only one at the Palace who had magical abilities. Jack Prescott, the Palace doorman who had lost a leg in the Boer Wars, had preternatural awareness of all flame, which had saved the Palace from burning on more than one occasion.
When Katie answered the Palace’s call for a new assistant with stage experience, it seemed like all her problems were solved. But it soon became clear that Katie was a Fire Magician like Jack and that something had blocked Katie’s access to her own abilities—a dangerous situation for everyone around her. Fire, the most volatile of all the elements, was a power that could easily turn deadly when fueled by strong emotion. And Lionel and Jack could tell that Katie was hiding something. Something that frightened her. Something that could set their whole world ablaze if they couldn’t help her master her Element in time.
About the Author
Mercedes entered this world on June 24, 1950, in Chicago, had a normal childhood and graduated from Purdue University in 1972. During the late 70's she worked as an artist's model and then went into the computer programming field, ending up with American Airlines in Tulsa, Oklahoma. In addition to her fantasy writing, she has written lyrics for and recorded nearly fifty songs for Firebird Arts & Music, a small recording company specializing in science fiction folk music."I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' -- they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not."I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes."I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde inBurning Water:"There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good -- they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race."Also writes asMisty LackeyAuthor's website
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