Description
The first novel in Mercedes Lackey's magical Elemental Masters series reimagines the fairy tale Snow White in a richly-detailed alternate Edwardian England
Maya Witherspoon lived most of the first twenty-five years of her life in her native India. As the daughter of a prominent British physician and a Brahmin woman of the highest caste, she graduated from the University of Delhi as a Doctor of Medicine by the age of twenty-two.
But the science of medicine was not Maya’s only heritage. For Maya’s aristocratic mother Surya was a sorceress—a former priestess of the mystical magics fueled by the powerful and fearsome pantheon of Indian gods.
Though Maya felt the stirring of magic in her blood, her mother had repeatedly refused to train her. “I cannot,” she had said, her eyes dark with distress, whenever Maya asked. “Yours is the magic of your father’s blood, not mine....” Surya never had the chance to explain this enigmatic statement to her daughter before a mysterious illness claimed her life.
Yet it was Maya’s father’s death shortly thereafter that confirmed her darkest suspicions. For her father was killed by the bite of a krait, a tiny venomous snake, and in the last hours of her mother’s life, Surya had warned Maya to beware “the serpent’s shadow.” Maya knew she must flee the land of her birth or face the same fate as her parents.
In self-imposed exile in Edwardian London, Maya knew that she could not hide forever from the vindictive power that had murdered her parents. She knew in her heart that even a vast ocean couldn’t protect her from “the serpent’s shadow” that had so terrified her mother. Her only hope was to find a way to master her own magic: the magic of her father’s blood. But who would teach her? And could she learn enough to save her life by the time her relentless pursuers caught up with their prey?
About the Author
Mercedes entered this world on June 24, 1950, in Chicago, had a normal childhood and graduated from Purdue University in 1972. During the late 70's she worked as an artist's model and then went into the computer programming field, ending up with American Airlines in Tulsa, Oklahoma. In addition to her fantasy writing, she has written lyrics for and recorded nearly fifty songs for Firebird Arts & Music, a small recording company specializing in science fiction folk music."I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' -- they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not."I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes."I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde inBurning Water:"There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good -- they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race."Also writes asMisty LackeyAuthor's website
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