Description
Mercedes Lackey's magical Elemental Masters series recasts familiar fairy tales in a richly-imagined alternate Victorian world
Ninette Dupond was a dancer with the Paris Opera Ballet. She had been very lucky—if she had not been pretty, and a natural dancer, she could only have become what her mother had been: a washerwoman.
But Ninette’s good luck ended the day that the lead dancer sprained her ankle and Ninette was chosen to dance her part at a matinee. Her reviews had been very good—too good. Shortly thereafter, Ninette had been fired in an attempt to soothe the wounded ego of the ballet’s primary soloist.
Alone, unemployed, and filled with despair, Ninette had returned to her apartment to find a thin, rangy, tabby-striped tomcat sitting on her windowsill. He seemed like just another stray, until abruptly he spoke to her, mind-to-mind.
Ninette though she was going mad, but the cat offered her an alternative to a life of destitution, albeit a very odd one. He proposed that she impersonate a renowned Russian ballerina, Nina Tchereslavsky, and go to work in a specific music hall in Blackpool, England. The cat also told her that he would take care of her in every way—he would somehow convey the English and Russian languages to her, supply her with money, and guide her every move. With no other option open to her, she place her life in his paws.
What Ninette didn’t know was that the cat was an Elemental Spirit sent to protect her, and that the music hall in Blackpool was owned by an Elemental Master. But she also didn’t know that the real Nina Tchereslavsky no longer existed. For the real Nina had been “absorbed” by an Elemental Spirit of the darkest kind that was now bent on Ninette’s destruction….
About the Author
Mercedes entered this world on June 24, 1950, in Chicago, had a normal childhood and graduated from Purdue University in 1972. During the late 70's she worked as an artist's model and then went into the computer programming field, ending up with American Airlines in Tulsa, Oklahoma. In addition to her fantasy writing, she has written lyrics for and recorded nearly fifty songs for Firebird Arts & Music, a small recording company specializing in science fiction folk music."I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' -- they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not."I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes."I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde inBurning Water:"There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good -- they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race."Also writes asMisty LackeyAuthor's website
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