Description
Three horror icons come together in one indispensable tome—with an introduction by Stephen King.
“Within the pages of this volume you will come upon three of the darkest creations of English nineteenth-century literature; three of the darkest in all of English and American literature, many would say…and not without justification…These three creatures, presented together for the first time, all have a great deal in common beyond their power to go on frightening generation after generation of readers…but that fact alone should be considered before all others.”—From the Introduction by Stephen King
A diabolical, bloodthirsty Count draws an unsuspecting young man into a world of terrors. A scientist oversteps the bounds of conscience and brings to life a tortured creation. A man of medicine explores his darker side only to fall prey to it. These three legendary tales have held readers spellbound for more than a century.
The titles alone—Dracula, Frankenstein, and Dr. Jekyll and Mr. Hyde—have become synonymous with horror. They are part of a universal language that serves to put a monster’s face on the good-and-evil duality of our very human nature. Inventive and subversive, these classic tales of terror can shake even the modern reader with something far more profound than fear....
About the Author
Mary Shelley(née Mary Wollstonecraft Godwin, often known asMary Wollstonecraft Shelley) was an English novelist, short story writer, dramatist, essayist, biographer, travel writer, and editor of the works of her husband, Romantic poet and philosopherPercy Bysshe Shelley. She was the daughter of the political philosopherWilliam Godwinand the writer, philosopher, and feministMary Wollstonecraft.Mary Shelley was taken seriously as a writer in her own lifetime, though reviewers often missed the political edge to her novels. After her death, however, she was chiefly remembered only as the wife of Percy Bysshe Shelley and as the author ofFrankenstein. It was not until 1989, when Emily Sunstein published her prizewinning biographyMary Shelley: Romance and Reality, that a full-length scholarly biography analyzing all of Shelley's letters, journals, and works within their historical context was published.The well-meaning attempts of Mary Shelley's son and daughter-in-law to "Victorianise" her memory through the censoring of letters and biographical material contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in the later years of her life added to this impression.The eclipse of Mary Shelley's reputation as a novelist and biographer meant that, until the last thirty years, most of her works remained out of print, obstructing a larger view of her achievement. She was seen as a one-novel author, if that. In recent decades, however, the republication of almost all her writings has stimulated a new recognition of its value. Her voracious reading habits and intensive study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's recognition of herself as an author has also been recognized; after Percy's death, she wrote about her authorial ambitions: "I think that I can maintain myself, and there is something inspiriting in the idea". Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.
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