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Description
This epic cultural and historical odyssey unearths the full influence of occult traditions on rock and roll -- from the Beatles to Black Sabbath -- and shows how the marriage between mysticism and music changed our world.
From the hoodoo-inspired sounds of Elvis Presley to the Eastern odysseys of George Harrison, from the dark dalliances of Led Zeppelin to the Masonic imagery of today’s hip-hop scene, the occult has long breathed life into rock and hip-hop—and, indeed, esoteric and supernatural traditions are a key ingredient behind the emergence and development of rock and roll.
With vivid storytelling and laser-sharp analysis, writer and critic Peter Bebergal illuminates this web of influences to produce the definitive work on how the occult shaped -- and saved -- popular music.
As Bebergal explains, occult and mystical ideals gave rock and roll its heart and purpose, making rock into more than just backbeat music, but into a cultural revolution of political, spiritual, sexual, and social liberation.
About the Author
Peter Bebergal writes widely on the speculative and slightly fringe. His essays and reviews have appeared in The Paris Review, The Times Literary Supplement, Slate, The Believer, and The Quietus, and on NewYorker.com. He is the author of Season of the Witch, Too Much to Dream, and The Faith Between Us, and the editor of the pulp fantasy anthology Appendix N. Bebergal studied religion and culture at Harvard Divinity School, and lives in Cambridge, Massachusetts.
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