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The New Negro aesthetic:Selected Writings
[Paperback - 2022]
jeffrey c. stewart
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Category: Literature
Sub-category: Literary Essays
Additional Category: Literary Collections - Sociology
Publisher: Penguin Classics | ISBN: 9780143135210 | Pages: 480
Shipping Weight: .335 | Dimensions: 5.06 x .85 x 7.67 inches

Description

Pulitzer Prize-winning biographer edits a collection of Alain Locke's influential essays on the importance of the Black artist and the Black imagination

A Penguin Classic

For months, the philosopher Alain Locke wrestled with the idea of the Negro as America's most vexing problem. He asked how shall Negroes think of themselves as he considered the new crop of poets, novelists, and short story writers who, in 1924, wrote about their experiences as Black people in America. He did not want to frame Harlem and Black writing as yet another protest against racism, nor did he want to focus on the sociological perspective on the "Negro problem" and Harlem as a site of crime, poverty, and dysfunction. He wanted to find new language and a new way for Black people to think of themselves. The essays and articles collected in this volume, by Locke's Pulitzer Prize–winning biographer, are the result of that new attitude and the struggle to instill the New Negro aesthetics, as Stewart calls it here, into the mind of the twentieth century. To be a New Negro poet, novelist, actor, musician, dancer, or filmmaker was to commit oneself to an arc of self-discovery of what and who the Negro was—would be—without fear that one would disappoint the white or Black bystander. In committing to that path, Locke asserted, one would uncover a "being-in-the-world" that was rich and bountiful in its creative possibilities, if Black people could turn off the noise of racism and see themselves for who they really are: a world of creative people who have transformed, powerfully and perpetually, the culture of wherever history or social forces landed them.

About the Author

American educator and writerAlain LeRoy Locke, whose includeFour Negro Poets(1927) andNegro Art: Past and Present(1936), championed the Harlem renaissance.People best remember this philosopher as the chief interpreter. Harvard University in 1907 graduated Locke, a Phi Beta Kappa and the first black Rhodes scholar. He studied at Oxford and the University of Berlin and then received a Philosophiae Doctor in philosophy from Harvard in 1918. Aesthetics strongly concerned this humanist. His philosophy, cultural pluralism, emphasized the determining of values, most especially the respect for the uniqueness of each personality, to guide human conduct and interrelationships.Locke taught atHoward Universityin District of Columbia for nearly forty years.

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