Description
Named in USA Today's "5 books not to miss," and New York Post's "The best new books to read"
From New York Times bestselling author Eric Jerome Dickey—named one of USA Today’s 100 Black Novelists and Fiction Authors You Should Read—comes his final work: an unflinchingly timely novel about history, hearts, and family.
It’s the summer of 2019, and Professor Pi Suleman is a Black man from Memphis with a lot to endure—not only as a Black man in Trump’s America but in his hard-earned career as an adjunct professor. Pi is constantly forced to bite his tongue in the face of one of his tenured colleague’s prejudices and microaggressions. At the same time, he’s being blackmailed by a powerful professor who threatens to claim he has assaulted her, when in fact the truth is just the opposite, trapping him in a he-said-she-said with a white woman that, in this society, Pi knows he will never win.
When he meets Gemma Buckingham, a sophisticated entrepreneur who has just moved to Memphis from London to escape a deep heartbreak, things begin to look up. Though Gemma and Pi hail from separate cultures, their differences fuel a fiery and passionate connection that just may consume them both.
But Pi’s whirlwind romance is interrupted when his absentee father, a celebrated writer, passes away and Pi is called to Los Angeles to both collect his inheritance and learn about the man who never acknowledged him. With the complicated legacy of his famous father to make sense of, Gemma’s visa expiration date looming, and the threats of his colleague becoming increasingly intense, Pi must figure out who he is and what kind of man he will become in his father’s shadow.
In The Son of Mr. Suleman, Eric Jerome Dickey takes readers on a powerful journey exploring racism, colorism, life as a mixed-race person, sexual assault, microaggressions, truth and lies, cultural differences, politics, family legacies, perceptions, the impact of enslavement and Jim Crow, code-switching, the power of death, and the weight of love. It is an extraordinary story, page-turning and intense, and a book only Dickey could write.
About the Author
Eric Jerome Dickey was born in Memphis, Tennessee and attended the University of Memphis (the former Memphis State), where he earned his degree in Computer System Technology. In 1983, he moved to Los Angeles to pursue a career in engineering.After landing a job in the aerospace industry as a software developer, Eric Jerome Dickey's artistic talents surfaced, inspiring him to become an actor and a stand-up comedian. Yet Eric quickly found out that writing was something he could do and do well. From creative writing classes to avidly consuming the works of his favorite authors, Eric Jerome Dickey began to shape a writing career of his own. Having written several scripts for his personal comedy act, he started writing poetry and short stories. "The film work gave me insight into character development, the acting classes helped me understand motivation...All of it goes hand in hand," Eric explains. He joined the IBWA (International Black Writers and Artists), participated in their development workshops, and became a recipient of the IBWA SEED Scholarship to attend UCLA's Creative Writing classes. In 1994 his first published short story, "Thirteen," appeared in the IBWA's River Crossing: Voices of the Diaspora-An Anthology of the International Black Experience. A second short story, "Days Gone By," was published in the magazine A Place to Enter.With those successes behind him, Eric Jerome Dickey decided to fine-tune some of his earlier work and developed a screenplay called "Cappuccino." "Cappuccino" was directed and produced by Craig Ross, Jr. and appeared in coffee houses around the Los Angeles area. In February 1998, "Cappuccino" made its local debut during the Pan African Film Festival at the Magic Johnson Theater in Los Angeles.Short stories, though, didn't seem to fulfill Eric Jerome Dickey's creative yearnings. Eric says, "I'd set out to do a ten-page story and it would go on for three hundred pages." So Eric kept writing and reading and sending out query letters for his novels for almost three years until he finally got an agent. "Then a door opened," Eric says. "And I put my foot in before they could close it." And that door has remained opened, as Eric Jerome Dickey's novels have placed him on the map as one of the best writers of contemporary urban fiction.Eric Jerome Dickey's book signing tours for Sister, Sister; Friends and Lovers; Milk in My Coffee; Cheaters; and Liar's Game took him from coast to coast and helped propel each of these novels to #1 on the "Blackboard Bestsellers List." Cheaters was named "Blackboard Book of the Year" in 2000. In June 2000, Eric Jerome Dickey celebrated the French publication of Milk in My Coffee (Cafe Noisette) by embarking on a book tour to Paris. Soon after, Milk in My Coffee became a bestseller in France. Eric Jerome Dickey's novels, Chasing Destiny, Liar's Game, Between Lovers, Thieves' Paradise, The Other Woman, Drive Me Crazy, Genevieve, Naughty or Nice, Sleeping with Strangers, Waking with Enemies, and Pleasure have all earned him the success of a spot on The New York Times bestseller list. Liar's Game, Thieves' Paradise, The Other Woman, and Genevieve have also given Dickey the added distinction of being nominated for an NAACP Image Award in the category of Outstanding Literary Work in 2001, 2002, 2004, and 2005. In 2006, he was honored with the awards for Best Contemporary Fiction and Author of the Year (Male) at the 2006 African American Literary Award Show. In 2008, Eric was nominated for Storyteller of the Year at the 1st annual ESSENCE Literary Awards. In January 2001, Eric Jerome Dickey was a contributor to New American Library's anthology Got To Be Real: Four Original Love Stories, also a Blackboard Bestseller. He also had a story entitled “Fish Sanwich” appear in the anthology Mothers and Sons. In June 2002, Dickey contributed to Black Silk: A Collection of African American Erotica (Warner Books) as well as to Riots Beneath the Baobab (published by Inte
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