Description
First published in 1890, Jacob Riis's remarkable study of the horrendous living conditions of the poor in New York City had an immediate and extraordinary impact on society, inspiring reforms that affected the lives of millions of people.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
About the Author
Paul Lafargue (1842–1911) was born in Santiago, Cuba, and lived there until the age of nine, when his family returned to their hometown of Bordeaux, France. In his early twenties, Lafargue began studying medicine in Paris, but after participating in a socialist gathering was barred from the French university system and left the country to continue his studies in London. There, he served as Karl Marx’s secretary and married Marx’s daughter Laura. Moving back to France in 1870, he participated in the Paris Commune and was again forced to flee the country, first to Spain and then to England. After amnesty was granted to the Communards in 1882, he and Laura returned permanently to France, where Lafargue gained notoriety as a writer of pamphlets and articles on politics and literature, founded the country’s first Marxist labor party, and earned his law degree. On the night of November 26, 1911, he committed “rational suicide” with Laura at their home near Paris. Lenin spoke at their funeral.
Lucy Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, Folk Photography, The Other Paris, and most recently, Maybe the People Would Be the Times. She translated Félix Fénéon’s Novels in Three Lines and has written introductions to several other NYRB Classics, including Classic Crimes by William Roughead and Pedigree by Georges Simenon. A frequent contributor to The New York Review of Books, she teaches writing and the history of photography at Bard College.
Alex Andriesse’s stories, essays, and poems have appeared in Granta, The Review of Contemporary Fiction, Prodigal, and Literary Imagination. He has translated several works from Italian and French, including Roberto Bazlen’s Notes Without a Text and Other Writings and François-René de Chateaubriand’s Memoirs from Beyond the Grave, 1768–1800 (an NYRB Classic). He is an associate editor at New York Review Books.
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