Description
For the 75th anniversary of her birth, a Deluxe Edition of the master of the literary supernatural’s most celebrated book—featuring a new introduction by Kelly Link, the author of the national bestseller The Book of Love and the Pulitzer Prize finalist Get in Trouble
A Penguin Classics Deluxe Edition, with flaps and deckle-edged paper
Angela Carter was a storytelling sorceress, the literary godmother of Neil Gaiman, David Mitchell, Audrey Niffenegger, J. K. Rowling, Kelly Link, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber—which includes the story that is the basis of Neil Jordan’s 1984 movie The Company of Wolves—she spins subversively dark and sensual versions of familiar fairy tales and legends like “Little Red Riding Hood,” “Bluebeard,” “Puss in Boots,” and “Beauty and the Beast,” giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
About the Author
Born Angela Olive Stalker in Eastbourne, in 1940, Carter was evacuated as a child to live in Yorkshire with her maternal grandmother. As a teenager she battled anorexia. She began work as a journalist on the Croydon Advertiser, following in the footsteps of her father. Carter attended the University of Bristol where she studied English literature.She married twice, first in 1960 to Paul Carter. They divorced after twelve years. In 1969 Angela Carter used the proceeds of her Somerset Maugham Award to leave her husband and relocate for two years to Tokyo, Japan, where she claims inNothing Sacred(1982) that she "learnt what it is to be a woman and became radicalised." She wrote about her experiences there in articles for New Society and a collection of short stories,Fireworks: Nine Profane Pieces(1974), and evidence of her experiences in Japan can also be seen inThe Infernal Desire Machines of Doctor Hoffman(1972). She was there at the same time as Roland Barthes, who published his experiences inEmpire of Signs(1970).She then explored the United States, Asia, and Europe, helped by her fluency in French and German. She spent much of the late 1970s and 1980s as a writer in residence at universities, including the University of Sheffield, Brown University, the University of Adelaide, and the University of East Anglia. In 1977 Carter married Mark Pearce, with whom she had one son.As well as being a prolific writer of fiction, Carter contributed many articles to The Guardian, The Independent and New Statesman, collected inShaking a Leg. She adapted a number of her short stories for radio and wrote two original radio dramas on Richard Dadd and Ronald Firbank. Two of her fictions have been adapted for the silver screen:The Company of Wolves(1984) andThe Magic Toyshop(1987). She was actively involved in both film adaptations, her screenplays are published in the collected dramatic writings,The Curious Room, together with her radio scripts, a libretto for an opera of Virginia Wolf's Orlando, an unproduced screenplay entitledThe Christchurch Murders(based on the same true story as Peter Jackson'sHeavenly Creatures) and other works. These neglected works, as well as her controversial television documentary,The Holy Family Album, are discussed in Charlotte Crofts' book,Anagrams of Desire(2003).At the time of her death, Carter was embarking on a sequel to Charlotte Brontë's Jane Eyre based on the later life of Jane's stepdaughter, Adèle Varens. However, only a synopsis survives.Her novelNights at the Circuswon the 1984 James Tait Black Memorial Prize for literature.Angela Carter died aged 51 in 1992 at her home in London after developing lung cancer. Her obituary published in The Observer said, "She was the opposite of parochial. Nothing, for her, was outside the pale: she wanted to know about everything and everyone, and every place and every word. She relished life and language hugely, and reveled in the diverse."
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