Description
In Nazi-occupied Paris, a talented artisan must fight for her life by designing for her enemies. From New York Times bestselling author Juliet Blackwell comes an extraordinary story about holding on to hope when all seems lost.
Capucine Benoit works alongside her father to produce fans of rare feathers, beads, and intricate pleating for the haute couture fashion houses. But after the Germans invade Paris in June 1940, Capucine and her father must focus on mere survival—until they are betrayed to the secret police and arrested for his political beliefs. When Capucine saves herself from deportation to Auschwitz by highlighting her connections to Parisian design houses, she is sent to a little-known prison camp located in the heart of Paris, within the Lévitan department store.
There, hundreds of prisoners work to sort through, repair, and put on display the massive quantities of art, furniture, and household goods looted from Jewish homes and businesses. Forced to wait on German officials and their wives and mistresses, Capucine struggles to hold her tongue in order to survive, remembering happier days spent in the art salons, ateliers, and jazz clubs of Montmartre in the 1920s.
Capucine’s estranged daughter, Mathilde, remains in the care of her conservative paternal grandparents, who are prospering under the Nazi occupation. But after her mother is arrested and then a childhood friend goes missing, the usually obedient Mathilde finds herself drawn into the shadowy world of Paris’s Résistance fighters. As her mind opens to new ways of looking at the world, Mathilde also begins to see her unconventional mother in a different light.
When an old acquaintance arrives to go “shopping” at the Lévitan department store on the arm of a Nazi officer and secretly offers to help Capucine get in touch with Mathilde, this seeming act of kindness could have dangerous consequences.
About the Author
Juliet Blackwell (aka Julie Goodson-Lawes, aka Hailey Lind) started out life in Palo Alto, California, born of a Texan mother and a Yankee father. The family soon moved to what were, at the time, the sticks of Cupertino, an hour south of San Francisco. Walking to and from kindergarten every day she would indulge in her earliest larcenous activity: stealing walnuts and apricots from surrounding orchards.By the time she graduated middle school, the orchards were disappearing and the valley at the southern tip of the San Francisco Bay had become the cradle of the silicon semi-conductor. A man named Steve Jobs was working in his garage in Cupertino, just down the street. Juliet's father advised his daughters to enter the lucrative and soon-to-flourish field of computers."Bah" said Juliet, as she went on to major in Latin American Studies at the University of California, Santa Cruz (they had, by far, the best parties of any department). Rather than making scads of money in computers, she read, painted, learned Spanish and a little French and Vietnamese, lived in Spain and traveled through Europe, Mexico, and Central America. She had a very good time.Juliet pursued graduate degrees in Anthropology and Social Work at the State University of New York at Albany, where she published several non-fiction articles on immigration as well as one book-length translation. Fascinated with other cultural systems, she studied the religions, folklore and medical beliefs of peoples around the world, especially in Latin America. Juliet taught the anthropology of health and health care at SUNY-Albany, and worked as an elementary school social worker in upstate New York. She also did field projects in Mexico and Cuba, studied in Spain, Italy, and France, worked on a BBC production in the Philippines, taught English as a second language in San Jose, and learned how to faux finish walls in Princeton, New Jersey. After having a son, moving back to California, and abandoning her half-written dissertation in cultural anthropology, Juliet started painting murals and portraits for a living. She has run her own mural/faux finish design studio in Oakland, across the bay from San Francisco, for more than a decade. She specializes in the aesthetic renovation of historic homes.Finally, to round out her tour of lucrative careers, Juliet turned to writing. Under the pseudonym of Hailey Lind, Juliet penned the Art Lover's Mystery Series with her sister Carolyn, about an ex-art forger trying to go straight by working as a muralist and faux finisher in San Francisco. The first of these, Feint of Art, was nominated for an Agatha Award; Shooting Gallery and Brush with Death were both IMBA bestsellers, and Arsenic and Old Paint is now available from Perseverance Press.Juliet's Witchcraft Mystery series, about a witch who finally finds a place to fit in when she opens a vintage clothes shop on Haight Street in San Francisco, allows Juliet to indulge yet another interest—the world of witchcraft and the supernatural. Ever since her favorite aunt taught her about reading cards and tea leaves, Juliet has been fascinated with seers, conjurers, and covens from many different cultures and historic traditions. As an anthropologist, the author studied and taught about systems of spirituality, magic, and medicine throughout the world, especially in Latin America. Halloween is by far her favorite holiday.When not writing, painting, or haranguing her funny but cynical teenaged son, Juliet spends a lot of time restoring her happily haunted house and gardening with Oscar the cat, who ostensibly belongs to the neighbors but won't leave her alone. He started hanging around when Juliet started writing about witches...funny coincidence.
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