Description
Part of the Penguin Orange Collection, a limited-run series of twelve influential and beloved American classics in a bold series design offering a modern take on the iconic Penguin paperback
Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition
For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin’s iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today.
We Have Always Lived in the Castle
Taking readers deep into a labyrinth of dark neurosis, We Have Always Lived in the Castle is perhaps the crowning achievement of Shirley Jackson’s brilliant career: a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the dramatic struggle that ensues when an unexpected visitor interrupts their unusual way of life.
About the Author
Shirley Jackson was an influential American author. A popular writer in her time, her work has received increasing attention from literary critics in recent years. She has influenced such writers as Stephen King, Nigel Kneale, and Richard Matheson.She is best known for her dystopian short story, "The Lottery" (1948), which suggests there is a deeply unsettling underside to bucolic, smalltown America. In her critical biography of Shirley Jackson, Lenemaja Friedman notes that when Shirley Jackson's story "The Lottery" was published in the June 28, 1948, issue ofThe New Yorker, it received a response that "noNew Yorkerstory had ever received." Hundreds of letters poured in that were characterized by, as Jackson put it, "bewilderment, speculation and old-fashioned abuse."Jackson's husband, the literary critic Stanley Edgar Hyman, wrote in his preface to a posthumous anthology of her work that "she consistently refused to be interviewed, to explain or promote her work in any fashion, or to take public stands and be the pundit of the Sunday supplements. She believed that her books would speak for her clearly enough over the years." Hyman insisted the darker aspects of Jackson's works were not, as some critics claimed, the product of "personal, even neurotic, fantasies", but that Jackson intended, as "a sensitive and faithful anatomy of our times, fitting symbols for our distressing world of the concentration camp and the Bomb", to mirror humanity's Cold War-era fears. Jackson may even have taken pleasure in the subversive impact of her work, as revealed by Hyman's statement that she "was always proud that the Union of South Africa bannedThe Lottery', and she felt that they at least understood the story".In 1965, Jackson died of heart failure in her sleep, at her home in North Bennington Vermont, at the age of 48.
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