Description
“Written from the heart and without restraint, alive.”—The New York Times
Vincent van Gogh, the great but tormented artist, bared his tortured yet ecstatic soul in his letters to his confidant and companion, his beloved brother Theo. These letters reveal the man behind such masterpieces as The Starry Night and The Bedroom—a desperate man whose quest for love became a flight into madness and for whom every day was a “fight for life.”
Irving Stone, acclaimed author of Lust for Life and other remarkable biographic novels, has collected Vincent van Gogh’s fascinating letters to Theo. Here we see the great artist as a human being as well as a man with an appointment with destiny. Van Gogh is a man struggling with doubts and fears, beset by poverty and mental illness, but also a painter who dares to break all the rules of academic art to create priceless masterpieces never honored during his lifetime. He was part of the coterie of great artists of his day while as the same time an intimate of aging streetwalkers. These letters are outpourings of his soul that paint a vibrant self-portrait in words equal to the intensity and emotion his painting created. This is the personal story of a legend.
About the Author
Vincent Willem van Gogh, for whom color was the chief symbol of expression, was born in Groot-Zundert, Holland. The son of a pastor, brought up in a religious and cultured atmosphere, Vincent was highly emotional and lacked self-confidence. Between 1860 and 1880, when he finally decided to become an artist, van Gogh had had two unsuitable and unhappy romances and had worked unsuccessfully as a clerk in a bookstore, an art salesman, and a preacher in the Borinage (a dreary mining district in Belgium), where he was dismissed for overzealousness. He remained in Belgium to study art, determined to give happiness by creating beauty. The works of his early Dutch period are somber-toned, sharply lit, genre paintings of which the most famous is "The Potato Eaters" (1885). In that year van Gogh went to Antwerp where he discovered the works of Rubens and purchased many Japanese prints.In 1886 he went to Paris to join his brother Théo, the manager of Goupil's gallery. In Paris, van Gogh studied with Cormon, inevitably met Pissarro, Monet, and Gauguin, and began to lighten his very dark palette and to paint in the short brushstrokes of the Impressionists. His nervous temperament made him a difficult companion and night-long discussions combined with painting all day undermined his health. He decided to go south to Arles where he hoped his friends would join him and help found a school of art. Gauguin did join him but with disastrous results. In a fit of epilepsy, van Gogh pursued his friend with an open razor, was stopped by Gauguin, but ended up cutting a portion of his ear lobe off. Van Gogh then began to alternate between fits of madness and lucidity and was sent to the asylum in Saint-Remy for treatment.In May of 1890, he seemed much better and went to live in Auvers-sur-Oise under the watchful eye of Dr. Gachet. Two months later he was dead, having shot himself "for the good of all." During his brief career he had sold one painting. Van Gogh's finest works were produced in less than three years in a technique that grew more and more impassioned in brushstroke, in symbolic and intense color, in surface tension, and in the movement and vibration of form and line. Van Gogh's inimitable fusion of form and content is powerful; dramatic, lyrically rhythmic, imaginative, and emotional, for the artist was completely absorbed in the effort to explain either his struggle against madness or his comprehension of the spiritual essence of man and nature.
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