Volume 4 of the letters of T. S. Eliot, which brings the poet, critic, editor and publisher into his forties, documents a period of anxious and fast-moving professional recovery and personal and spiritual consolidation.Following the withdrawal of financial support by his patron Lady Rothermere, Faber & Gwyer (subsequently Faber & Faber) takes over the responsibility for Eliot's literary periodical The Criterion. He supplements his income as a fledgling publisher, 'just as I did ten years ago, by reviewing, articles, prefaces, lectures, broadcasting talks, and anything that turns up.' His work as editor is internationalist above all else, and Eliot makes contact with a number of eminent and emergent writers and thinkers, as well as forging links with European reviews.Eliot's responsibilities during this period extend to caring for Vivien, who returns home after months in a French psychiatric hospital and whom he looks after with anxious fortitude; and the personal correspondence with his mother closes with her death in September 1929.
About the Author
Christopher Ricks s publications on Eliot include T. S. Eliot and Prejudice (1988), Inventions of the March Hare: Poems 1909-1917 (1996), and Decisions and Revisions in T. S. Eliot (the Panizzi Lectures, 2002), together with True Friendship: Geoffrey Hill, Anthony Hecht and Robert Lowell Under the Sign of Eliot and Pound (2007).
Jim McCue is the author of Edmund Burke and Our Present Discontents (1997) and editor of the Penguin Selected Poems of Arthur Hugh Clough (1991). For fifteen years he worked for The Times, where he wrote the Bibliomane column. His imprint, the Foundling Press, began with the first separate publication of T. S. Eliot s Eeldrop and Appleplex, and has printed for the first time writings by Alexander Pope, Ben Jonson, Henry James and A. E. Housman.
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