Civilisation: A Personal View

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Kenneth Clark's sweeping narrative looks at how Western Europe evolved in the wake of the collapse of the Roman Empire, to produce the ideas, books, buildings, works of art and great individuals that make up our civilisation. The author takes us from Iona in the ninth century to France in the twelfth, from Florence to Urbino, from Germany to Rome, England, Holland and America. Against these historical backgrounds he sketches an extraordinary cast of characters -- the men and women who gave new energy to civilisation and expanded our understanding of the world and of ourselves. He also highlights the works of genius they produced -- in architecture, sculpture and painting, in philosophy, poetry and music, and in science and engineering, from Raphael's School of Athens to the bridges of Brunel.

About the Author

Kenneth Mackenzie Clark was a British art historian, museum director, and broadcaster. After running two important art galleries in the 1930s and 1940s, he came to wider public notice on television, presenting a succession of programmes on the arts during the 1950s and 1960s, culminating in the Civilisation series in 1969. The son of rich parents, Clark was introduced to the arts at an early age. Among his early influences were the writings of John Ruskin, which instilled in him the belief that everyone should have access to great art. After coming under the influence of the connoisseur and dealer Bernard Berenson, Clark was appointed director of the Ashmolean Museum in Oxford aged twenty-seven, and three years later he was put in charge of Britain's National Gallery. His twelve years there saw the gallery transformed to make it accessible and inviting to a wider public. During the Second World War, when the collection was moved from London for safe keeping, Clark made the building available for a series of daily concerts which proved a celebrated morale booster during the Blitz.After the war, and three years as Slade Professor of Fine Art at Oxford, Clark surprised many by accepting the chairmanship of the UK's first commercial television network. Once the service had been successfully launched he agreed to write and present programmes about the arts. These established him as a household name in Britain, and he was asked to create the first colour series about the arts, Civilisation, first broadcast in 1969 in Britain and in many other countries soon afterwards.Among many honours, Clark was knighted at the unusually young age of thirty-five, and three decades later was made a life peer shortly before the first transmission of Civilisation. Three decades after his death, Clark was celebrated in an exhibition at Tate Britain in London, prompting a reappraisal of his career by a new generation of critics and historians. Opinions varied about his aesthetic judgment, particularly in attributing paintings to old masters, but his skill as a writer and his enthusiasm for popularising the arts were widely recognised. Both the BBC and the Tate described him in retrospect as one of the most influential figures in British art of the twentieth century.

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