Open House - Readings

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Oprah Book Club Selection, August 2000: The narrator of Elizabeth Berg's Open House calls divorce "a series of internal earthquakes ... one after the other." She ought to know. Samantha is abandoned by her husband in the opening pages of this three-handkerchief special, and the resultant tremors keep her off-balance for most of the novel. There are practical problems aplenty, of course, including a shortage of money and an 11-year-old son to raise. But Sam's sense of emotional bereavement is far worse, despite the fact that her husband had been giving her the conjugal cold shoulder for I miss David so much, yes I do, I miss the presence of another person in my bed at night, even if he doesn't touch me; the reliability of someone else being there in the morning, even if they only shave and stare straight ahead into the mirror while you lean against the bathroom doorjamb with your cup of coffee, chatting hopefully. The loneliness in her "as constant and as irrefutable" as circulating blood, Sam begins to rebuild her life. She finds herself a job and takes in a couple of boarders to help meet her mortgage payments. (One of them, a depressed student named Lavender Blue, informs her that "life was nothing but one major disappointment after the other"--the sort of homily that Sam is understandably reluctant to hear these days.) She also starts dating, with disastrous results. Yet this comically kvetching heroine does manage to find love in the ruins, and by the time Open House winds down, it's hard not to believe that she's much better off. Throughout, Berg alternates her snappy and sappy registers like a real pro. And the conclusion, which most readers will be able to spot a mile off, seems just right--the light at the end of the post-matrimonial tunnel. --Anita Urquhart

About the Author

The queen of witty, heart-warming, feel-good love stories Red

Jill Mansell’s books are full of love, life and friendship and have been bringing joy to readers for twenty-five years. She started writing fiction while working in the NHS, after joining a local creative writing class. She has since written over twenty Sunday Times bestsellers, including MAYBE THIS TIME, THIS COULD CHANGE EVERYTHING and YOU AND ME, ALWAYS, and her books have sold over 11 million copies around the world.

Jill s hobbies include buying stationery, particularly magical new colours of ink for the fountain pen she uses to write all her books – Jill is one of the few authors who still write their books by hand. Jill also loves people-watching and finding new characters to put in her novels. So when you’re out, make sure to always be on your best behaviour. And beware of beady-eyed authors carrying notebooks . . .

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