'Time is running out and only you can save our family...' Harry Montague must discover the truth about his family's missing heir-for better or worse. But his thoughts are sidetracked from the moment he first sees Elena Ruiz, beautiful and fierce in her bright red dress. She's innocent, yet Spanish society has condemned her. Harry can help this woman in need with the security of a marriage made on paper-but nothing more. For Harry's heart is armoured by pain and regret from the past. Yet soon he finds himself fighting the unexpected longing for his new wife that grows each day...
About the Author
Joanna Fulford has been a full-time writer for a number of years now. Always an enthusiastic scribbler, she found that the urge to write only became stronger with time. In the end she decided to take a chance and quit the day job to find out if she could achieve success as an author. However, she couldn't have done it without her husband's unstinting support. Fortunately the gamble paid off. It has been a long haul, with plenty of financially lean periods, but it was well worth the effort. There is nothing quite like the buzz that comes with that phone call to say a publisher wants to buy your book.Along the way She has been fortunate to have the support and encouragement of a strong and successful writers’ group. Not only has she appreciated the friendship of its members, but has also found their critical insight and feedback invaluable. So too is the support of her editor at Harlequin. With endless patience she steered her through the revisions of the first book and saved her from herself on numerous occasions. Being able to see the resulting improvement made the work enjoyable and rewarding.As Joanna has always had a passion for Literature and History it ihas been no hardship to do the necessary research for her books. Initially her main interests were the Enlightenment and the Regency, but in recent years she have developed a fascination for the early Medieval period as well. Researching these different eras is exciting because there is always something new to be discovered. Invariably though she ends up with far more material than she can use so it's a matter of deciding what must be left out. Historical detail must never hold up the story. Joanna always has a rough plan in her head, a general idea of where the story is going, although the characters invariably take on a life of their own. They have no qualms about departing from the script and taking her down another path. It's fun to go with them and see where it leads. Frequently their way turns out to be better than her own so she’s learned to listen to them now.When it comes to the historical background for a new story, Joanna always chooses events in which she has a keen interest, and which involve a serious conflict of some kind. The central love story is juxtaposed with this and gives the characters more obstacles to overcome. The Great Viking Invasion was fertile ground, as were the Luddite Rebellion and the Harrying of the North which provided the settings for her second and third books respectively. The Peninsular War is the background for His Counterfeit Condesa, and for its companion novel, The Caged Countess. This conflict was also the background to Redemption of a Fallen Woman which is Joanna’s contribution to the Castonbury Park series.
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