'One must be superior to mankind in force, in loftiness of soul—in contempt’ In these two devastating works, Nietzsche offers a sustained and often vitriolic attack on the morality and the beliefs of his time, in particular those of Hegel, Kant and Schopenhaur. Twilight of the Idols is a ‘grand declaration of war’ on reason, psychology and theology that combines highly charged personal attacks on his contemporaries with a lightning tour of his own philosophy. It also paves the way for The Anti-Christ, Nietzche’s final assault on institutional Christianity, in which he identifies himself with the ‘Dionysian’ artist and confronts Christ; the only opponent he feels worthy of him. In his introduction Michael Tanner discussed the themes of Nietzche’s argument and places the works in their historical and philosophical context.
About the Author
Friedrich Nietzsche was born near Leipzig in 1844, the son of a Lutheran clergyman. At 24 he was appointed to the chair of classical philology at Basle University, where he stayed until forced by his health to retire in 1879. Here, he wrote all his literature, including Thus Spake Zarathustra, and developed his idea of the Superman. He became insane in 1889 and remained so until his death in 1900.
Marion Faber is Professor German at Swarthmore College, Pennsylvania. Her work includes publications on Kafka, Nietzsche and Weimar film.
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