Description
Will and his friends return to the City of the Tripods—and risk their lives—in this second book of a classic alien trilogy ideal for fans of Rick Yancey’s The 5th Wave and Margaret Peterson Haddix’s Shadow Children series. When Will and his friends arrived at the White Mountains, they thought everything would be okay. They’d found a safe haven where the mechanical monsters called Tripods could not find them. But once there, they wonder about the world around them and how they are faring against the machines. In order to save everyone else, Will and his friends want to take down the Tripods once and for all. That means journeying to the Tripod capital: the City of Gold and Lead. Although the journey will be difficult, the real danger comes once Will is inside the city, where Tripods roam freely and humans are even more enslaved than they are on the outside. Without anyone to help him, Will must learn the secrets of the Tripods—and how to take them down—before they figure out that he’s a spy…and he can only pretend to be brainwashed for so long.
About the Author
Samuel Youdwas born in Huyton, Lancashire in April 1922, during an unseasonable snowstorm.As a boy, he was devoted to the newly emergent genre of science-fiction: ‘In the early thirties,’ he later wrote, ‘we knew just enough about the solar system for its possibilities to be a magnet to the imagination.’Over the following decades, his imagination flowed from science-fiction into general novels, cricket novels, medical novels, gothic romances, detective thrillers, light comedies … In all he published fifty-six novels and a myriad of short stories, under his own name as well as eight different pen-names.He is perhaps best known as John Christopher, author of the seminal work of speculative fiction,The Death of Grass(today available as a Penguin Classic), and a stream of novels in the genre he pioneered, young adult dystopian fiction, beginning withThe Tripods Trilogy.‘I read somewhere,’ Sam once said, ‘that I have been cited as the greatest serial killer in fictional history, having destroyed civilisation in so many different ways – through famine, freezing, earthquakes, feral youth combined with religious fanaticism, and progeria.’In an interview towards the end of his life, conversation turned to a recent spate of novels set on Mars and a possible setting for a John Christopher story: strand a group of people in a remote Martian enclave and see what happens.The Mars aspect, he felt, was irrelevant. ‘What happens between the people,’ he said, ‘that’s the thing I’m interested in.’
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