THE TRUE BUT UNLIKELY STORIES OF LIVES DEVOTED—ABSURDLY! MELANCHOLICALLY! BEAUTIFULLY!—TO THE RUSSIAN CLASSICSNo one who read Elif Batuman’s first article (in the journaln+1) will ever forget it. “Babel in California” told the true story of various human destinies intersecting at Stanford University during a conference about the enigmatic writer Isaac Babel. Over the course of several pages, Batuman managed to misplace Babel’s last living relatives at the San Francisco airport, uncover Babel’s secret influence on the making ofKing Kong, and introduce her readers to a new voice that was unpredictable, comic, humane, ironic, charming, poignant, and completely, unpretentiously full of love for literature.Batuman’s subsequent pieces—forThe New Yorker,Harper’s Magazine, and theLondon Review of Books— have made her one of the most sought-after and admired writers of her generation, and its best traveling companion. InThe Possessedwe watch her investigate a possible murder at Tolstoy’s ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin’s wanderings in the Caucasus; learn why Old Uzbek has one hundred different words for crying; and see an eighteenth-century ice palace reconstructed on the Neva.Love and the novel, the individual in history, the existential plight of the graduate student: all find their place inThe Possessed. Literally and metaphorically following the footsteps of her favorite authors, Batuman searches for the answers to the big questions in the details of lived experience, combining fresh readings of the great Russians, from Pushkin to Platonov, with the sad and funny stories of the lives they continue to influence—including her own.
About the Author
ELIF BATUMAN s first novel, The Idiot, was a finalist for a Pulitzer Prize and was shortlisted for the Women s Prize for Fiction. She is also the author of The Possessed: Adventures with Russian Books and the People Who Read Them, which was a finalist for a National Book Critics Circle Award in criticism. She has been a staff writer at The New Yorker since 2010 and holds a PhD in comparative literature from Stanford University.
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