New York Times notable book of the year In Fort-de-France, Martinique, a colorful group of musicians, street vendors, and hopeless disciples, including the author, gather under a tamarind tree to listen to legendary bard Solibo Magnificent spin tales. Suddenly, in the middle of a raucously entertaining story, Solibo drops dead. So entranced and drunken are his friends, they initially fail to realize that their hero has spoken his last word. One hysterical listener runs to find the doctor and inadvertently returns with the overly eager, sinister chief sergeant, who holds Solibo's friends under suspicion for murder. At turns a madcap murder mystery, a political satire, and a lament on the death of a treasured tradition, Solibo Magnificent is wildly imaginative and exuberantly lyrical. Praise for Solibo Magnificent “Both a meaty tale and a cry on behalf of a drowning culture . . . by a poet and a novelist with a raffishly human and lyrical touch.”—Los Angeles Times “A world class author . . . whose voice and imagination are like nothing you've read before.”—The Washington Post Book World
About the Author
Patrick Chamoiseauis a French author from Martinique known for his work in the créolité movement.Chamoiseau was born on December 3, 1953 in Fort-de-France, Martinique, where he currently resides. After he studied law in Paris he returned to Martinique inspired by Édouard Glissant to take a close interest in Creole culture. Chamoiseau is the author of a historical work on the Antilles under the reign of Napoléon Bonaparte and several non-fiction books which includeÉloge de la créolité(In Praise of Creoleness), co-authored with Jean Bernabé and Raphaël Confiant. Awarded the Prix Carbet (1990) forAntan d’enfance. His novel Texaco was awarded the Prix Goncourt in 1992, and was chosen as aNew York Times Notable Book of the Year. It has been described as "a masterpiece, the work of a genius, a novel that deserves to be known as much as Fanon’sThe Wretched of the Earthand Cesaire’sReturn to My Native Land".Chamoiseau may also safely be considered as one of the most innovative writers to hit the French literary scene since Louis-Ferdinand Céline. His freeform use of French language — a highly complex yet fluid mixture of constant invention and "creolism" — fuels a poignant and sensuous depiction of Martinique people in particular and humanity at large.(from Wikipedia)
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