Shipping Weight:
.369|Dimensions:
6.6 x .43 x 8.2 inches
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Description
All One Horse is a marvel-filled journey through Breyten Breytenbach’s kaleidoscopic imagination. The electrifying colors and penetrating images of his paintings converse with his lyrical and satirical dream-fables. These visions and parables emerge from a mélange of cultures and traditions: African and Eastern thought, the spirit world, and the spheres of visual art, philosophy, history and politics. Breytenbach’s watercolors communicate in hieroglyphs, where private conversation embraces myth and dream. These reflections and images – clear and complex at once – are cries for human dignity and justice, are truth disguised as play. With octopus-like grace, Breytenbach pulls together worlds and watches them dance and struggle together; echoes of Afrikaans haunt his English, the fantastic melds into the quotidian, love glimmers beneath rage, the immediate rises to the universal.
About the Author
He studied fine arts at the University of Cape Town and became a committed opponent of the policy of apartheid. He left South Africa for Paris in the early 1960s. When he married a French woman of Vietnamese ancestry, he was not allowed to return: The Prohibition of Mixed Marriages Act (1949) and The Immorality Act (1950) made it a criminal offence for a white person to have any sexual relations with a person of a different race in the then apartheid South Africa.In France he was a founder member of Okhela, a resistance group fighting apartheid in exile. On an illegal trip to South Africa in 1975 he was betrayed, arrested and sentenced to seven years of imprisonment for high treason: his workThe True Confessions of an Albino Terroristdescribes aspects of his imprisonment. Released in 1982 as a result of massive international intervention he returned to Paris and obtained French citizenship.He currently divides his time between Europe, Africa, and the United States. He joined the University of Cape Town as a visiting professor in the Graduate School of Humanities (from January 2000) and is also involved with the Gorée Institute in Dakar (Senegal) and with New York University, where he teaches in the Graduate Creative Writing Program.
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