Publisher: Other Press|ISBN:
9781635429954 |Pages:
608
Shipping Weight:
.556|Dimensions:
5.26 x 1.22 x 7.92 inches
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Description
In the latest novel from a master of European crime fiction, past, present, and future collide on a breathtaking journey from 1950s Morocco to modern-day Spain and Sweden.
Miguel and Helena meet at a nursing home in Tarifa, at an age when they believe they have lived it all already. Distanced from their children, they feel they are no longer needed. The sudden suicide of one of the other residents opens their eyes. They don’t want to spend their last days longing for supposedly better times, so together they decide to undertake the journey of their lives and confront the darkness in their pasts.
Meanwhile, in the distant Swedish city of Malmö, the young Yasmina, a child of Moroccan immigrants who dreams of being a singer, lives trapped between her authoritarian grandfather and her contemptuous mother, who is ashamed of Yasmina because she works for a Swede with a murky reputation. And she’s having a secret affair with the Deputy Commissioner of the Swedish police, an older, influential man.
As Yasmina is drawn deeper into Malmö’s criminal underworld and Miguel and Helena approach the end of their feverish road trip, Víctor del Árbol masterfully reconstructs the history of violence that links their seemingly disparate lives.
About the Author
Víctor del Árbol was born in Barcelona in 1968 and was an officer of the Catalan police force from 1992 to 2012. As the recipient of the Nadal Prize, the Tiflos Prize, and as the first Spanish author to win the Prix du Polar Européen, he has distinguished himself as a prominent voice in Spanish literature. His novel A Million Drops (Other Press, 2018) was named a Notable Book of the Year by the Washington Post.
Lisa Dillman teaches in the Department of Spanish and Portuguese at Emory University in Atlanta, Georgia. She has translated a number of Spanish and Latin American writers. Some of her recent translations include Rain Over Madrid; August, October; and Death of a Horse, by Andrés Barba, and Signs Preceding the End of the World by Yuri Herrera.
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