Shipping Weight:
1.332|Dimensions:
8.96 x .97 x 11.73 inches
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Description
Two surreal graphic novels about technology, corporatization, and alienation in the modern world by a cult-favorite comics innovator.
In 1968, the British artist and writer Martin Vaughn-James emigrated to Canada. Over the next eight years, he proceeded to produce some of the most mesmerizing and inventive works in comics, light-years ahead of his contemporaries. Among them were Elephant and The Projector, linked graphic novels that guide the reader (and a bespectacled Everyman) through landscapes built out of both the everyday and the nightmarish. Jam-packed superhighways, plummeting horses, vast urban wastelands, colossal businessmen, demented cartoon animals, and interstellar oranges are just a small part of Vaughn-James’s prophetic vision of society’s turn away from the natural world to the artificial.
Together for the first time in a single volume, designed and edited by Seth and with an introduction by Jeet Heer, Elephant and The Projector stand as a reminder that we have yet to catch up to Vaughn-James.
About the Author
Jay Jackson (1905–1954) was a prolific artist and cartoonist whose work appeared for many years in the Black newspaper The Chicago Defender, among numerous other publications. Before he began his cartooning career, he hammered spikes for a railroad, labored in a steel mill, started a short-lived sign-painting business, and even had a brief career as an amateur boxer. In the late 1940s, Jackson moved with his family from Chicago to Los Angeles, where he resided for the remainder of his life.
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