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The Stammering Century
[Paperback - 2012]
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Category: History
Additional Category: Modern History - Sociology
Publisher: Nyrb Classics | ISBN: 9781590175804 | Pages: 452
Shipping Weight: .463 | Dimensions: 5.14 x .99 x 7.98 inches

Gilbert Seldes, the author of The Stammering Century, writes:

    This book is not a record of the major events in Ameri­can history during 
    the nineteenth century. It is concerned with minor movements, with the 
    cults and manias of that period. Its personages are fanatics, and radicals, 
    and mountebanks. Its intention is to connect these secondary movements 
    and figures with the primary forces of the century, and to supply a 
    background in American history for the Prohibitionists and the Pente­costalists; 
    the diet-faddists and the dealers in mail-order Personality; the play censors 
    and the Fundamen­talists; the free-lovers and eugenists; the cranks and 
    possibly the saints. Sects, cults, manias, movements, fads, religious 
    excitements, and the relation of each of these to the others and to the 
    orderly progress of America are the subject.

The subject is of course as timely at the beginning of the twenty-first century as when the book first appeared in 1928. Seldes’s fascinated and often sympathetic accounts of dreamers, rogues, frauds, sectarians, madmen, and geniuses from Jonathan Edwards to the messianic murderer Matthias have established The Stammering Century not only as a lasting contribution to American history but as a classic in its own right.

Gilbert Vivian Seldes (/ˈsɛldiːz/) was an American writer and cultural critic. Seldes served as the editor and drama critic of the seminal modernist magazine The Dial and hosted the NBC television program The Subject is Jazz (1958). He also wrote for other magazines and newspapers like Vanity Fair and the Saturday Evening Post. He was most interested in American popular culture and cultural history. He wrote and adapted for Broadway, including Lysistrata and A Midsummer Night's Dream in the 1930s. Later, he made films, wrote radio scripts and became the first director of television for CBS News and the founding dean of the Annenberg School for Communication at the University of Pennsylvania.He spent his career analyzing popular culture in America, advocating cultural democracy, and subsequently, calling for public criticism of the media. Near the end of his life, he quipped, "I've been carrying on a lover's quarrel with the popular arts for years ... It's been fun. Nothing like them."

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