Shipping Weight:
.703|Dimensions:
5.98 x 1.57 x 9.02 inches
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Description
Ecstasy did for house music what LSD did for psychedelic rock. Now, in Energy Flash, journalist Simon Reynolds offers a revved-up and passionate inside chronicle of how MDMA (ecstasy”) and MIDI (the basis for electronica) together spawned the unique rave culture of the 1990s.
England, Germany, and Holland began tinkering with imported Detroit techno and Chicago house music in the late 1980s, and when ecstasy was added to the mix in British clubs, a new music subculture was born. A longtime writer on the music beat, Reynolds started watchingand partaking inthe rave scene early on, observing firsthand ecstasy’s sense-heightening and serotonin-surging effects on the music and the scene. In telling the story, Reynolds goes way beyond straight music history, mixing social history, interviews with participants and scene-makers, and his own analysis of the sounds with the names of key places, tracks, groups, scenes, and artists. He delves deep into the panoply of rave-worthy drugs and proper rave attitude and etiquette, exposing a nuanced musical phenomenon.
Read on, and learn why is nitrous oxide is called hippy crack.”
About the Author
Simon Reynolds is one of the most respected music journalists working today, and his writing is both influential and polarizing. He draws on an impressive range of knowledge, and writes with a fluid, engaging style. His books Rip it Up and Start Again and Generation Ecstasy are well-regarded works about their respective genres, and RETROMANIA may be his most broadly appealing book yet. It makes an argument about art, nostalgia, and technology that has implications for all readerswhether diehard music fans or not. Its an important and provocative look at the present and future of culture and innovation."
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