Description
From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische
It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Bronte's Jane Eyre, and a 'C' for Willa Cather's My Antonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves.
J is for Joyce. From its chronicling of youthful days at Clongowes Wood school to the radical questioning of all convention and the desire “to forge in the smithy of my soul the uncreated conscience of my race,” James Joyce’s highly autobiographical A Portrait of the Artist as a Young Man portrays Stephen Dedalus in his Dublin upbringing. In doing so, it provides an oblique self-portrait of young Joyce himself. At its center lie questions of origin and source, authority and authorship, and the relationship of an artist to his family, culture, and race. Exuberantly inventive in style, A Portrait of the Artist as a Young Man subtly and beautifully orchestrates the patterns of quotation and repetition instrumental in its hero’s quest to create his own character, his own language, life and art: “to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defense the only arms I allow myself to use—silence, exile, and cunning.”
About the Author
A profound influence of literary innovations of Irish writerJames Augustine Aloysius Joyceon modern fiction includes his works,Ulysses(1922) andFinnegans Wake(1939).Sylvia Beachpublished the first edition ofUlyssesof James Augustine Aloysius Joyce in 1922.People note this novelist for his experimental use of language in these works. Technical innovations of Joyce in the art of the novel include an extensive use of interior monologue; he used a complex network of symbolic parallels, drawn from the mythology, history, and literature, and he created a unique language of invented words, puns, and allusions.John Stanislaus Joyce, an impoverished gentleman and father of James Joyce, nine younger surviving siblings, and two other siblings who died of typhoid, failed in a distillery business and tried all kinds of other professions, including politics and tax collecting. The Roman Catholic Church dominated life of Mary Jane Murray, an accomplished pianist and his mother. In spite of poverty, the family struggled to maintain a solid middle-class façade.Jesuits at Clongowes Wood college, Clane, and then Belvedere college in Dublin educated Joyce from the age of six years; he graduated in 1897. In 1898, he entered the University College, Dublin. Joyce published first an essay onWhen We Dead Awaken, play ofHeinrich Ibsen, in theFortnightly Reviewin 1900. At this time, he also began writing lyric poems.After graduation in 1902, the twenty-year-old Joyce went to Paris, where he worked as a journalist, as a teacher, and in other occupations under difficult financial conditions. He spent a year in France, and when a telegram about his dying mother arrived, he returned. Not long after her death, Joyce traveled again. He left Dublin in 1904 with Nora Barnacle, a chambermaid, whom he married in 1931.Joyce publishedDublinersin 1914,A Portrait of the Artist as a Young Manin 1916, a playExilesin 1918 andUlyssesin 1922. In 1907, Joyce published a collection of poems,Chamber Music.At the outset of the Great War, Joyce moved with his family to Zürich. In Zürich, Joyce started to develop the early chapters ofUlysses, first published in France because of censorship troubles in the Great Britain and the United States, where the book became legally available only in 1933.In March 1923, Joyce in Paris startedFinnegans Wake, his second major work; glaucoma caused chronic eye troubles that he suffered at the same time.Transatlantic reviewofFord Madox Fordin April 1924 carried the first segment of the novel, called part ofWork in Progress. He published the final version in 1939.Some critics considered the work a masterpiece, though many readers found it incomprehensible. After the fall of France in World War II, Joyce returned to Zürich, where he died, still disappointed with the reception ofFinnegans Wake.
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