Description
THE STAND meets William R. Forstchen’s ONE SECOND AFTER in New York Times and USA Today bestselling author John Gilstrap’s third pulse-pounding thriller set in an America ravaged by global conflict. As a community of survivors strives to rebuild all they have lost, they look to one woman – single mother and former West Virginia congressional representative Victoria Emerson—to balance survival with justice…
“One of the most compelling heroines to come along in years.”
—Jeffery Deaver
One-time congressional representative Victoria Emerson has received a request from the deposed president of the United States—come to the bunker at Hilltop Manor, where the remnants of the U.S. government have been imprisoned. A ruthless band has seized power, leaving civilians to die of starvation and untreated injuries. The self-appointed leader, Roger Parsons, plans to punish the former rulers for thrusting the country into Hell Day, the devastating war that changed the world in just a few hours.
Victoria is reluctant to leave Ortho, the West Virginia town she has developed and defended. But as a born leader, she feels the call of duty. Forging her way through a landscape terrorized by local warlords and desperate scavengers, she arrives at Hilltop Manor to find a powder keg of battling factions.
The lofty ideals on which the Republic was founded and the values that once held society together have devolved into anarchy. Calling on her deepest personal resources and her unwavering convictions, Victoria must somehow return the rule of law to a society where many of the old rules and laws don’t matter anymore.
About the Author
A little bit about my background... I've always been a closet-writer. As a kid, I lived for the opportunity to write short stories. I was the editor of my high school newspaper for a while (the Valor Dictus, Robinson High School, class of 1975), until I quit ("You can't fire me! I quit!") over a lofty First Amendment issue that seemed very important at the time. My goal, in fact, was to become a journalist in the vein of Woodward or Bernstein. Okay, I confess, I wanted to be Woodward; Robert Redford played him in the movie, and chicks really dug Robert Redford.I graduated from the College of William and Mary in 1979, and armed with a degree in American history, I couldn't find a job. I ended up settling for a position with a little-noticed trade journal serving the construction industry. They called me the managing editor and they paid me food stamp wages. I hated it. About this time, I joined the Burke Volunteer Fire Department in Fairfax County, Virginia, if only to find relief from the boredom of my job. Running about a thousand calls my first year with the department, I was hooked, and the volunteer fire service became an important part of my life for the next 15 years. In the early eighties, hating my job, I went the way of all frustrated liberal arts undergrads—back to graduate school. Earning a Master of Science degree in safety engineering from the University of Southern California, I started down a whole new road. For the next decade and a half, I became an expert (don't you hate that word?) on explosives safety and hazardous waste. Meanwhile, I kept writing. I didn't tell anyone, of course, because, well, you just don't share artistic dreams with fellow engineers. They look at you funny.My first novel, Nathan's Run, was in fact my fourth novel, and when it sold, it sold big. At a time in my life when things were going well—I was president of my own consulting firm—things were suddenly going very well. Warner Bros. bought the movie rights to Nathan's Run two days after the first book rights were sold, and as of this date, the novel has been translated and published in one form or another in over 20 countries. With Nathan's Run in the can, as it were, I thought I might finally be on to something, but I didn't quit my "day job" until after I sold the book and movie rights to my second novel, At All Costs. I figured that while one-in-a-row might be luck, two-in-a-row was a trend. So, I started writing full-time.More novels followed, and then a few screenplays. I was living the dream.But I really didn't like it much. I learned pretty quickly that when you're born a Type-A personality, those extrovert tendencies don't go away just because you're practicing a craft you love. In fact, after just a couple of years of dream fulfillment, I was pretty friggin' bored with the company of my imaginary friends, so I did something that I've never heard a full-time artist do before: I went back to a day job. At first, it was just a matter of reactivating my consulting business, but then, in 2004, I was handed my ideal Big-Boy Job (that's what my wife calls it) working as the director of safety for a trade association in Washington, DC.And I continue to write. In 2006, Six Minutes to Freedom was published to considerable acclaim. My first (and probably last) foray into book-length non-fiction, SixMin tells the story of Kurt Muse, the only civilian of record ever rescued by the super-secret Delta Force. Thanks to Kurt's cooperation (he is co-author), I gained access to people and places that lifelong civilians like me should never see. The heroic warriors I met during that research turned out to be nothing like their movie stereotypes. These were not only gentlemen, but gentle men, who remained free of the kind of boasting and self-aggrandizement that I was expecting. They were supreme professionals, and very nice guys.And through them I got the idea for my new series character, Jonathan Grave. He's fo
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