Captain America Epic Collection: Twilight's Last Gleaming

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Is this the end of Captain America? As the Super-Soldier Serum in his veins decays, Steve Rogers' health continues to worsen - so he's going to need a little help to carry on shield-slinging, especially against Baron Zemo and his new Baroness! Diamondback may be having doubts about their partnership, but new heroes Free Spirit and Jack Flag join the good fight against the Serpent Society! And Tony Stark has his own way of lending a hand: designing an incapacitated Cap his very own suit of armor! Will it be enough for Steve to survive an epic clash between the Avengers, A.I.M., M.O.D.O.K. and the Red Skull? And left with 24 hours to live, how will Cap spend his final day? Collecting CAPTAIN AMERICA (1968) #431-443, TALES OF SUSPENSE (1995) #1, AVENGERS (1963) #386-388 and material from CAPTAIN AMERICA COLLECTOR'S PREVIEW.

About the Author

Gruenwald got his start in comics fandom, publishing his own fanzine, Omniverse, which explored the concept of continuity. Before being hired by Marvel, he wrote text articles for DC Comics official fanzine, The Amazing World of DC Comics. Articles by Gruenwald include "The Martian Chronicles" (a history of the Martian Manhunter) in issue #13 and several articles on the history of the Justice League in issue #14.In 1978 he was hired by Marvel Comics, where he remained for the rest of his career. Hired initially as an assistant editor in January 1978, Gruenwald was promoted to full editorship by Marvel editor-in-chief Jim Shooter in 1982, putting Gruenwald in charge of The Avengers, Captain America, Iron Man, Thor, Spider Woman, and What If. During this period, he shared an office with writer/editor Denny O'Neil, whom Gruenwald considered a mentor.In 1982, Gruenwald, Steven Grant, and Bill Mantlo co-wrote Marvel Super Hero Contest of Champions, the first limited seriespublished by Marvel Comics. As a writer, Gruenwald is best known for creating the Official Handbook of the Marvel Universe and his ten-year stint as the writer of Captain America during which he contributed several notable characters such as Crossbones, Diamondback and U.S. Agent. He made a deliberate effort to create villains who would be specific to Captain America, as opposed to generic foes who could as easily have been introduced in another comic.His 60-issue run on Quasar realized Gruenwald's ambition to write his own kind of superhero. However, he considered his magnum opus to be the mid-1980s 12-issue miniseries Squadron Supreme, which told the story of an alternate universe where a group of well-intended superheroes decide that they would be best suited to run the planet

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