Marvel Masterworks: The Mighty Thor Vol. 20

Description

Collects Thor (1966) #303-314, Thor Annual (1966) #9. With writer Doug Moench behind the helm, Thor returns to Midgard (A.K.A. Earth) - but there's no getting comfortable for the God of Thunder as he soon discovers heavies like the Wrecking Crew, Mephisto and Galactus' heralds Firelord and Gabriel all ready and waiting to take him on! And even when Thor finally does get time for a well-earned rest, he finds himself haunted with visions of the dream demon! But why is All-Father Odin putting Thor on trial? Plus: X-Men scribe Chris Claremont delivers a supersize battle against the dread Dormammu, while Mark Gruenwald and Ralph Macchio provide a fresh set of Tales of Asgard! Lift Mjolnir high - this is a Masterworks fit for the Realm Eternal!

About the Author

Gruenwald got his start in comics fandom, publishing his own fanzine, Omniverse, which explored the concept of continuity. Before being hired by Marvel, he wrote text articles for DC Comics official fanzine, The Amazing World of DC Comics. Articles by Gruenwald include "The Martian Chronicles" (a history of the Martian Manhunter) in issue #13 and several articles on the history of the Justice League in issue #14.In 1978 he was hired by Marvel Comics, where he remained for the rest of his career. Hired initially as an assistant editor in January 1978, Gruenwald was promoted to full editorship by Marvel editor-in-chief Jim Shooter in 1982, putting Gruenwald in charge of The Avengers, Captain America, Iron Man, Thor, Spider Woman, and What If. During this period, he shared an office with writer/editor Denny O'Neil, whom Gruenwald considered a mentor.In 1982, Gruenwald, Steven Grant, and Bill Mantlo co-wrote Marvel Super Hero Contest of Champions, the first limited seriespublished by Marvel Comics. As a writer, Gruenwald is best known for creating the Official Handbook of the Marvel Universe and his ten-year stint as the writer of Captain America during which he contributed several notable characters such as Crossbones, Diamondback and U.S. Agent. He made a deliberate effort to create villains who would be specific to Captain America, as opposed to generic foes who could as easily have been introduced in another comic.His 60-issue run on Quasar realized Gruenwald's ambition to write his own kind of superhero. However, he considered his magnum opus to be the mid-1980s 12-issue miniseries Squadron Supreme, which told the story of an alternate universe where a group of well-intended superheroes decide that they would be best suited to run the planet

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