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.187|Dimensions:
6.16 x .34 x 9.25 inches
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Description
"For the last thirty years or more, Kenneth Koch has been writing the most exuberant poems in America. In an arena where such good spirits are rare, he has become a national treasure. In his book of personal addresses to what has mattered most in his seventy-plus years on the planet, there is a dimension of pathos and joy rare in the poetry of any era." —National Book Award (2000) finalist citation for New Addresses
The three long poems -- “Bel Canto,” “Possible World,” and “A Memoir” -- in this brilliant successor to New Addresses are ambitious attempts at rendering the complete story of a life. Taken together they present a dazzling picture of the pleasures and confusions of existence, as well as the pleasures and difficulties of expressing them.
Other poems bring Koch’s questioning, lyrical attention to more particular aspects of experience, real and imagined—a shipboard meeting, the Moor not taken, or the unknowable realm of mountaintops. As in all of Koch’s work, one hears the music of unconquerable exuberance in stormy conflict with whatever resists it—death, the injustice of power, the vagaries of life in Thailand, China, or Rome.
Thomas Disch has written in the Boston Book Review that “Koch is the most capable technician on the American scene, the brightest wit, and the emeritus most likely to persist into the next millennium . . . His work is full of ribaldry and wit, musicianship, pitch-perfect mimicry of the Great Tradition, and the celebration of pleasure for its own sunlit sake.”
The ebullience and stylistic variety that one has come to expect of this protean poet is everywhere present in this scintillating collection.
About the Author
Kenneth Koch is most often recognized as one of the four most prominent poets of the 1950s-1960s poetic movement "the New York School of Poetry" along with Frank O'Hara, John Ashbery and James Schuyler. The New York School adopted the avant-garde movement in a style often called the "new" avant-garde, drawing on Abstract Expressionism, French surrealism and stream-of-consciousness writing in the attempt to create a fresh genre free from cliché. In his anthologyThe New York Poets,Mark Fordwrites, "In their reaction against the serious, ironic, ostentatiously well-made lyric that dominated the post-war poetry scene, they turned to the work of an eclectic range of literary iconoclasts, eccentrics and experimenters."Fiercely anti-academic and anti-establishment, Koch's attitude and aesthetic were dubbed by John Ashbery his "missionary zeal." Ford calls him "the New York School poet most ready to engage in polemic with the poetic establishment, and the one most determined to promote the work of himself and his friends to a wider audience." Koch died of leukemia at age 77, leaving a legacy of numerous anthologies of both short and long poems, avant-garde plays and short stories, in addition to nonfiction works dealing with aesthetics and teaching poetry to children and senior citizens.
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